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Friday, September 29, 2017

Memento Mori by Muriel Spark

In Spark's classic novel, a mysterious voice calls several elderly people to tell them "Remember, you must die."  The source of the calls -- mundane or supernatural -- is never explained, but that's not the point.  Instead, the novel is a meditation on aging, death, and the way the various characters come to terms with their lives.

The results aren't exactly admirable, but they are funny, satirical, pathetic, and moving.  Human frailty is on display here as the characters mull over their lives, make excuses for themselves, and criticize their peers while coping with the physical and mental costs of aging. Above all, the concern is to have a "good death," whatever that means to the individual -- in the comfort of one's home, in a hospital with round-the-clock care, with a lot of money, surrounded by loved ones, mourned by the public at large. 

But the concerns often become petty. One character is constantly revising her will to reward or punish people; another schemes and blackmails to get inheritances.  One character catalogs the infirmities of everyone around him for the sake of "research" that's really busywork; another does it to reassure himself that he is "winning" at aging.  Towards the end of the book one woman, astuter than the others, makes the observation that "[a] good death ... doesn't reside in the dignity of bearing but in the disposition of the soul."  This is a point that is often ignored when we discuss end-of-life issues because we are so focused on getting rid of suffering and in "dying with dignity." But some suffering cannot be avoided no matter how hard we try.  And dignity doesn't lie in how able-bodied or sound-of-mind we are, but in our character.

For the most part, the characters in Spark's novel don't quite grasp that. That doesn't make them contemptible, though, just human.  Just like the rest of us.

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