Book Round-Up

 Cold Clay by Juneau Black: Sad to say, I didn’t enjoy this one as much as the first. The authors have created fun characters in a delightfully cozy setting, but the actual writing in this novel was not great — both overwritten and messy.

Moon over Soho by Ben Aaronovitch: I’m enjoying the Rivers of London series, an urban fantasy about a police officer learning to become a wizard. This one centered around jazz music and its vampiric fans.

The Book of Lost Things by John Connolly: This book, about a boy who finds himself in a world of fairy tales, was a lot darker than I expected, but it was a moving exploration of grief and growing up, deeply satisfying by the end. The only flaw was the chapter with Snow White, which was completely out of place tonally.

The Bewitching by Silvia Moreno-García: This was a bit of a disappointment; it has lots of interesting elements and characters, but it doesn’t quite cohere, feeling more like a draft than a finished novel. Some elements are left dangling — ownership of the land, so critical in 1908, is not mentioned at all in 1998, and Minerva talks about her mother and great-grandmother, but her grandmother is entirely missing. Then there’s Alba’s relationship with her putative lover: Alba, and the narrative itself, treat it as if it were merely inappropriate and not absolutely awful. I don’t regret reading it, but I didn’t enjoy it as much as Gods of Jade and Shadow.

The Other Side of Midnight by Simone St. James: I try to read a Simone St James novel every fall; she excels at mysteries that are spooky and romantic. I didn’t love this one as much as the first two I read, but it was an enjoyable, creepy-but-not-too-creepy story about psychics real and fake.

Hemlock & Silver by T. Kingfisher: Kingfisher's novels have certain commonalities -- middle-aged characters with ordinary jobs, humor to counterbalance the horror and weirdness, and a pantheon of saints and gods -- but the settings and stories are varied and inventive. This one takes the elements of Snow White (queen, daughter, mirror, apple) and puts them together in an utterly novel way. I just can't get enough of Kingfisher, and I'm pacing myself through her extensive bibliography.

Book Round-Up: Haunted House Edition

 It's no secret that the horrors in ghost stories almost always serve as signifiers for the horrors in society. Beloved's ghost is the legacy of slavery,* and Dracula represents the evil of aristocracy or Victorian sexual repression (depending on who you ask). The following three novels each tackle society's ills by literalizing those ills in creepy ways.

A House with Good Bones by T. Kingfisher: In Kingfisher's contemporary Southern Gothic, the haunting Sam and her mother, Edith, are dealing with represents a legacy of prejudice and sexism disguised by good manners and polite behavior (and how easy it is for victims to become perpetrators). It's a Kingfisher novel, however, so the horror is mitigated with humor and a goofy familiar (a vulture, in this case).  

Lost Among the Living by Simone St. James: Set in England, 1921, the novel's Wych Elm House (and the protagonist) is haunted by the trauma of both mental illness and WWI. That trauma was heavy to read about, but St. James is rapidly becoming a favorite writer for her ability to combine mystery, romance, and spookiness.   

Starling House by Alix Harrow: the most explicitly horror-filled of the three, this haunted house represents not only slavery and misogyny but the ability of otherwise good people to look away rather than confront evil. This was a good story, and I appreciate how nothing played out quite like one would expect, but although the novel is not YA it read like it, especially in the behavior of the main characters and in the overwrought writing style. The latter in particular distracted from my enjoyment of the story.

*Don't get me started on the long-ago English professor who interrupted a really good discussion to ask if we thought ghosts were real.

Book Round-Up: Cozy Fall Edition

 Shady Hollow by Juneau Black: The delightful first novel in a cozy mystery series set amongst woodland critters. It reminded me quite a bit of Emmett Otter's Jug Band Christmas.

The Simplicity of Cider by Amy E. Reichert: This was basically a Hallmark movie in book form. Some aspects I liked, such as the protagonist's synesthesia, and other parts I didn't (therapy generally works better than the love of a good man).

The City Baker's Guide to Country Living by Louise Miller: This was a reread for me. It's also a Hallmark movie in book form, but with sex, alcohol, and messy relationships, which makes the inevitable happy ending more satisfying.

An Inquiry into Love and Death by Simone St. James: This was the perfect ghost story -- atmospheric, spooky, romantic, not too violent, and neither over- nor underexplained. I will be reading more of her books.

Still Life by Louise Penny: Another smart, melancholy Three Pines mystery? I've been reading this series backwards, starting with The Cruelest Month. But where do I go now? For real, I'll probably read no. 4 and maybe one or two others, but from what I've read the series has diminishing returns.

A Night in the Lonesome October by Roger Zelazny: Zelazy's last novel (and supposedly his favorite) is a fun mash-up of various literary monsters who gather together to bring about, or maybe prevent, the end of the world. It's narrated by a talking dog, too!