Christopher Fowler's mystery series centers around London's Peculiar
Crimes Unit, a department of oddballs who investigate odd crimes. They
are led by the septuagenarian detectives Arthur Bryant and John May. I
read the first three novels: Full Dark House, The Water Room, and Seventy-seven Clocks.
There's
a lot to like here -- quirky characters; abundant references to
mythology, folklore, and London history; spooky crimes; and clever
solutions. But for all the lighthearted elements, there is an
undercurrent of darkness. Full Dark House had a terribly sad solution, and some of the deaths in Seventy-seven Clocks were quite upsetting. Fowler doesn't shy away from showing the evil in human nature.
Fowler
also sets the books in different time periods; the first is set during
World War II and details the Unit's first case, the second is set in
early twenty-first century, and the third in the 1970s. This allows
Fowler to comment on London society at different stages and to make use
of different levels of crime detection technology. And yet certain
commonalities become apparent. Bryant (an old-fashioned type) laments
the changes happening all around him. But apparently he's been
complaining for decades, which suggests the problem is his -- change is
inevitable, but that doesn't necessarily mean things get worse. Reading
all three together highlight that fashions may change but human nature
doesn't.
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