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Friday, April 22, 2022

Blackwork Hexagons

 The Facebook group Snarky & Modern Embroidery and Cross Stitch is hosting a blackwork stitch-along in conjunction with blackwork experts The Steady Thread. I've always wanted to do a sampler, so this was perfect.

Behold, the first seven hexagons:

The SAL is 49 weeks long, but I won't be doing all 49 hexies -- I'm already behind by several weeks, and my fabric isn't big enough. Instead I'll see how many I can do before I run out of space.

That fabric, by the way, is a basic cotton evenweave, and I hate it -- stiff, unravelly, and too easy to stain. But this will use up the last of it! You can't tell from the picture (I've yet to take one with perfect lighting), but the thread is a variegated Waterlilies from the Caron Collection, in very deep purples and teals. 

Behold, a big old error in hexie no. 8!

 I think I'll keep it. It's kind of fun,  testing others to see if they can see it. Can you? 😛


Thursday, April 21, 2022

The Lady Emily Aston Series by Tasha Alexander

 There are fifteen novels and counting in this mystery series by Tasha Alexander, centered around a young (and unconventional) Victorian widow who finds herself caught up in several murders. I read the first four -- And Only to Deceive, A Poisoned Season, A Fatal Waltz, and Tears of Pearl -- and while I enjoyed them, I think I'll stop there. 

Modern historical fiction, particularly the lighter stuff, has to walk a tightrope in creating characters who have sensibilities compatible with modern viewpoints but who aren't so anachronistic as to be historically inaccurate (or worse, ridiculous). For the most part, Alexander succeeds at this. Lady Emily marries a man she didn't particularly care for because it was expected of her and he was the best of the lot; when he dies a few months later, she is thrilled to now have a freedom no single woman would have. Her status as both a lady and a widow allow her to spend her time studying antiquities and drinking port, and eventually investigating the murder of her husband. People gossip about her (and her mother nags, a whole lot), but she can afford not to care.

But in a welcome change, Alexander does allow Emily to care, at least sometimes; she is only human, after all, and a product of her times. In the second volume, especially, Emily wrestles with the loss of her reputation and just how unconventional she's comfortable being. She also must decide whether she wants to marry again; the love of her life values her freedom and intellectual pursuits, but even a modern marriage requires sacrifice and compromise.

The third volume wasn't quite as good as the first two, mainly because it relies on a trope I hate -- the bitchy ex-girlfriend. And by the fourth, I was starting to lose interest in the series as a whole.  I may return to Lady Emily someday, though; some of the later books sound quite interesting.


Sunday, April 10, 2022

Desert Succulents

 Wasting time on the internet last month I found, in rapid succession, Allegory Gallery's Desert Succulent design challenge kit (sold out) and The Beadshop's Fun Times necklace design. Many weeks later -- I needed more copper chain, there were shipping delays, I ran out of jump rings, I ran out of headpins, I burned the knuckles of my left hand, I burned my right fingers -- I have a necklace, a.k.a. a "neckmess":

It's three 12-inch chains with lots of beads and charms attached, and beaded sections to complete the necklace. The three strands laid out:

The little succulent charms deserved to stand out from the rest, so they became earrings. And I loved the look of the beaded strands on each side, made from an assortment of beads roughly the same size, so I made a bracelet, too:

And look! I still have lots of beads left to play with.


Now I need to get back to stitching.