Cross Stitch Diary

 Inspired by The Daily Stitchuation, I've started a stitch diary (not my first one). For my own sanity, I'm not forcing myself to stitch every day, or create a motif for each day. 

Part 1:

 A cap, because my Down Syndrome son finished high school.

A strawberry, because I love them.

An evil eye, because I was reading about them.

A resist symbol, because Trump.

The flag of Iceland, because I read Sjon's Codex 1962 (and I want to go someday).

A hospital symbol, because my son had minor surgery.

A school bus, because the privatized bus system in NYC suuuuucks.

A tear, because life is hard.

An apple, pumpkin, and leaf because I love fall.

A witch's hat because I crocheted one a week before Halloween.

Part 2:

 A piece of cranberry pie for Thanksgiving.

Candles for Advent.

A Christmas tree.

A blue SUV because the brakes failed and we had to cancel our trip to see family.

A wedge of cheese because we celebrated New Year's Eve with a charcuterie board (we are old and/or tired and/or introverted).

A crown for Three Kings' Day.

A birthday cake for my oldest.

A star for Minnesota, l'Etoile du Nord (so proud of Minneapolis).

A stack of books for the ones I read in January.

The Bone Clocks by David Mitchell

Mitchell's novel, set in the same world as Cloud Atlas (and all his other novels), has a similar formal structure: it's divided into six parts, each a different kind of story -- coming-of-age, Faustian bargain, war memoir, literary satire, metaphysical fantasy, and eco-dystopia. Underlying the narrative, though, are references to a war between the mysterious Horologists and Anchorites; the former are trying to protect humanity from the latter, who want to use humans as fuel in their quest for immortality.

 But it’s not until late in the novel we learn this, and with the exception of the fifth section we spend little time with the Anchorites and Horologists themselves. Instead every part serves as a character study, each one narrated by someone with a connection to Holly, the first narrator and the key to the novel as a whole. in each of these sections we see the characters make bad or even disastrous decisions, but what matters is the fallout — not just the consequences to the plot, but the effect on the characters and what they choose to do after. 

 It's here that Mitchell demonstrates his skill as a writer. Most of the characters are deeply flawed, often making stupid, selfish, or evil choices, but Mitchell lets us see what drives them to make those choices. The fourth section in particular stood out -- it's the section that covers the longest time period, allowing us to see an arrogant, self-involved writer ever so slowly repent and learn to put others before himself. On the other hand, the fifth section, while fun and fascinating, felt out of place. The sixth section returns us to ordinary humans, but, set in a near future ravaged by climate change, it displays a deeply cynical attitude about humanity, something that seems almost like a betrayal of the poignantly-depicted characters of the rest of the novel.

Despite my disappointment in the ending, I fully intend to read more of Mitchell's work. The world he has created is filled with wonderful characters and fascinating bits of lore.

A Long-Overdue Christmas Wrap-up

 It's been a tough month.

On the crafting front, I started Sue Spargo's Christmas tree pillow project. I cannot actually afford any of her kits, though, so I worked out of my stash. In the process I changed some motifs and stitches to suit my tastes, such as adding a manger scene because Christmas isn't secular for me, and eliminating most bullion knots because those are the devil's stitch. What I have so far:

I also stitched this freebie from Momentoell. I like the chunky effect she gets by using 6 or even 12 strands of floss. The lovely, soft colors are a nice change of pace, too, from the usual embroidered Christmas tree.

Not much jewelry making happened, but I did remake a bracelet (which apparently I never photographed) with several Christmas-themed charms into a necklace. No point in wearing a bracelet if my wrists are covered up in several layers of long johns and wool sweaters (it's so cold where I work).

 

My middle son gave me a skein of acrylic yarn for Christmas. I love the color, but it is too scratchy to wear so I crocheted a garland. This worked up so fast and fun I made a second with a different yarn.

He also gave me more buttons, so I made a button garland for the tree.

And I finally finished my youngest's quilt: 

On the book front, I read three Christmasy books:

The White Priory Murders by Carter Dickson: An enjoyable locked-room mystery, where, amusingly, Dickson had two characters immediately propose the most obvious explanations to accuse each other. John Dickson Carr was name-checked in the locked-room mystery Wake Up Dead Man, too, which was a fun little easter egg.

Snowed In by Catherine Walsh: a cute holiday-themed contemporary romance, related to her previous novel, Holiday Romance. I enjoyed it, but it lacked an effective structure to hang the story on.

Golden Age Christmas Mysteries ed. by Otto Penzler: some of these would better be classified as spy thrillers or adventures, but all were enjoyable. The collection runs the gamut from light-hearted, comedic stories to darker, melancholic ones, so there's something to suit most tastes.

I think that about wraps it up. Aside from the food, cancelled trip, car troubles, pretty snow fall, improv king cake ...

Threads of Life by Clare Hunter

 

Needlework has often been dismissed as just women's work -- a hobby, a distraction, a trivial thing done with one's children. Frasier Crane superciliously claims he supports the arts, not the crafts. Tim Gunn on Project Runway warned contestants to not be too artsy-craftsy. Occasionally, needlework is treated as an art form, most notably as part of William Morris's Arts & Crafts movement, but I suspect his sex -- and his interest in more "serious" art forms -- had a role.

Which is why Hunter's Threads of Life is so critical to understanding the power of needlework. Each chapter explores one aspect the art has brought to women's lives, such as protection, identity, and voice. Some sections include research into ancient and historical practices, techniques, and cultural contexts; others profile one or more women and their art. Some of these stories are enraging: Lorina Bulwer was imprisoned in a workhouse by her brother when their mother died; she spent the rest of her life there, embroidering long screeds in block letters detailing her anger at the unfairness of how she was treated. Others are heartbreaking: Hmong women, stuck in refugee camps after years of wars and persecution, created story clothes to tell what they had lost and endured. 

The stories are not always bleak. Embroidery has also been a source of power -- as symbolism, as what queens would choose to wear, as financial stability, providing a steady income for women
, as art, allowing women to create meaningful and beautiful statements, as community, encouraging women to seek friendship and advice, and as protest, allowing women to speak out about the injustices of the world and bring about change. Anyone who is interested in needlework, and anyone interesting in women's history, will learn much from this book.

Book Round-Up

 Cold Clay by Juneau Black: Sad to say, I didn’t enjoy this one as much as the first. The authors have created fun characters in a delightfully cozy setting, but the actual writing in this novel was not great — both overwritten and messy.

Moon over Soho by Ben Aaronovitch: I’m enjoying the Rivers of London series, an urban fantasy about a police officer learning to become a wizard. This one centered around jazz music and its vampiric fans.

The Book of Lost Things by John Connolly: This book, about a boy who finds himself in a world of fairy tales, was a lot darker than I expected, but it was a moving exploration of grief and growing up, deeply satisfying by the end. The only flaw was the chapter with Snow White, which was completely out of place tonally.

The Bewitching by Silvia Moreno-García: This was a bit of a disappointment; it has lots of interesting elements and characters, but it doesn’t quite cohere, feeling more like a draft than a finished novel. Some elements are left dangling — ownership of the land, so critical in 1908, is not mentioned at all in 1998, and Minerva talks about her mother and great-grandmother, but her grandmother is entirely missing. Then there’s Alba’s relationship with her putative lover: Alba, and the narrative itself, treat it as if it were merely inappropriate and not absolutely awful. I don’t regret reading it, but I didn’t enjoy it as much as Gods of Jade and Shadow.

The Other Side of Midnight by Simone St. James: I try to read a Simone St James novel every fall; she excels at mysteries that are spooky and romantic. I didn’t love this one as much as the first two I read, but it was an enjoyable, creepy-but-not-too-creepy story about psychics real and fake.

Hemlock & Silver by T. Kingfisher: Kingfisher's novels have certain commonalities -- middle-aged characters with ordinary jobs, humor to counterbalance the horror and weirdness, and a pantheon of saints and gods -- but the settings and stories are varied and inventive. This one takes the elements of Snow White (queen, daughter, mirror, apple) and puts them together in an utterly novel way. I just can't get enough of Kingfisher, and I'm pacing myself through her extensive bibliography.

I'm Hanging on to Fall as Much as I Can

 Because it is my favorite season, and because I don't want to rush Christmas.

This pattern, from and old issue of Love Embroidery magazine, was designed by Elahe at Momentoell and is now available on her website (along with many other lovely ones). Her thing is using all six strands, and even twelve, of cotton floss, which gives the embroidery a chunky, dimensional look. For even more textural effect, I used wool thread for the pumpkins and linen threads for the stems (but the latter isn't quite so obvious). I'm really pleased with this design, especially the soft fall colors.

Belated Crafty Halloween Post

I was so busy finishing up some crafts, helping my kids prep for Halloween, and the usual ridiculous drudgery I never got a chance to show off what I made in October.

Those cheapo witch's hats you see in stores this time of year are too small to fit my giant head, so clearly the solution was to make one of my own:

The pattern is the Twisted Witch Hat by Stephanie Pokorny. I used two strands of black worsted weight yarn (I have GOT to stop picking patterns with multiple strands of black), and counted on both Stephanie's instructions to go up a hook size at a certain point and my own loose stitching to get the right circumference. And because of said loose stitching, I eliminated a few rows in the crown and brim (also, I ran out of yarn). The curl at the tip is maintained with 16-gauge floral wire. And to make it pretty (we need more beauty in the world) I crocheted some flowers, using the patterns here and here.

Earrings!

I've seen variations of the adorable floral ghost earrings for a couple of years now, so I finally made a pair for myself. The two skull pairs of earrings are part of my ongoing effort to create the perfect calaverita/sugar skull earrings. I'll get there someday.